spent several years researching seaweed in Ireland. After the government sold off seaweed harvesting rights to a Canadian company, the artist witnessed the traditionally harvested plant transform into an international commodity.
Van Dingenen’s new work consists of seaweed pressings, based on a traditional Victorian preservation/art form and the artist’s poetic endeavour to re-address the spirit of the sea plants. Van Dingenen encourages visitors to make pressings semiannually at the high tide of the moon with the goal of creating a new calendar, experimenting with forms of representations and different narratives besides the scientific study of the state of the seaweed (and an alternative approach to scientific study of the state of seaweed).
His work is framed by a desire for interspecies diplomacy and emphasizes the need for people to respect the spirit of the seaweed that is traditionally used in shamanistic healing practices. Inspired by Ursula Le Guin’s science fiction book, The Word for the World is Forest (1976), the artist asks us to imagine how underwater seaweed colonies might think.
Tidal Migration Pattern of Seaweed Spirit when Moon is shining, 2016-2017
Askeaton Contemporary Arts and Lismore Castle Arts, Ireland,
LIAF 2017 / North Norwegian Arts Centre (NNKS)
Visit the website of Natural Capital
Visit the website of LIAF (Lofoten International Arts Festival)
Visit the website of Askeaton about the Algae Summit
Visit the website of Waldburger Wouters
Archive Material: Seaweed Prints
More examples of Archive Material, Click Here
Deep Sea Disco
Mr Smashing makes a comeback with a deep sea mining disco love song. Destroying the deep sea to get metals for our throw-away mobile phones and other e-devices? Seas At Risk thinks it is better to step up efforts on the circular economy - make devices repairable, re-usable, recyclable.